迷你展域 Mini Exhibit

這個 3×2 公尺的展位被視為一個可被閱讀的空間單位，而非單純的展示背景。透過斜線切割，原本 1:3:1 的比例被改寫為 3:1:2，在有限尺度中重新安排視線、身體尺度與光線的運動。

牆面的幾何語彙源自產品本身——圓角、弧線與可計算的角度。在光線作用下，形體與陰影形成第二層展示，使展覽不僅呈現物件，也呈現其內在語法。90° 與 60° 的角度來自使用與製造邏輯，而非裝飾選擇；日常規則被放大、被顯影，轉化為可被辨讀的空間秩序。

單色地坪界定場域邊界，在複雜的展館中形成一個獨立的小尺度宇宙。
在短暫的展期內，比例、序列與語彙的關係被清楚呈現，若空間可以被壓縮，這個展位，便是其清晰可讀的形態。

This 3×2 meter booth is a legible spatial unit rather than a mere backdrop. Through diagonal cuts, the 1:3:1 ratio is rewritten as 3:1:2, reconfiguring sightlines, scale, and light within a limited footprint.

The wall geometry—rounded corners, arcs, and precise angles—stems from the product’s own design logic. Light and shadow create a secondary layer of display, revealing the object’s internal syntax. The 90° and 60° angles are driven by utility and manufacturing rather than decoration, transforming everyday rules into a spatial order.

Defined by monochromatic flooring, the booth becomes a self-contained micro-universe. It serves as a clear, compressed manifestation of proportion and sequence.